2016-12-29
I watched Long Riders! for the bicycling (and I enjoyed it)
Long Riders! is a show that didn't even make my initial impressions this season, partly because early reviews didn't make it sound very good (especially Nick Creamer's). But then some people on anitwitter followed it and posted screen shots and persuaded me that while the show has many flaws, it also really loves bicycling. And, well, I'm a cyclist even if previous shows about cycling have failed for me. So I got sucked into not so much watching Long Riders! as skimming through it to watch the bicycling parts, ruthlessly skipping over character bits, attempts at non-cycling humour, and so on.
Well, you know what, the show's pretty decent at the biking bits, at least if you're a cyclist like me. It gave me an enjoyable mixture of general appreciation for the biking and nostalgia for when I started getting into cycling and went through experiences similar to the protagonist's. The character beats are cheesy, the CG is only decent, the 2D animation not infrequently disastrously off (which wound up being amusing since I wasn't taking this at all seriously), but the biking, the biking felt authentic and I could appreciate the love for detail that the CG animators and the production put into everything (and that the 2D animators desperately tried to keep up with when they had to draw the bikes, often failing). The show really loves bicycling and wants you to do so too, and it definitely shows. I can't help responding to that love.
I don't know why Long Riders! succeeded for me in this aspect where Yowamushi Pedal failed. I suspect that there are two sides to it. First, LR isn't about competitive racing and I'm not a racer, so I automatically have more connection to it (eg). Second, for the first time I aggressively skimmed a show rather than watch all of it, which is what I tried to do with Yowamushi Pedal. I did wind up watching a certain amount of the Long Riders! character bits when I couldn't be bothered to skip forward over them, but definitely not too much and that helped a lot.
(Long Riders! also gave me the chance to do hot bicyclist takes on Twitter and spot little details, amusing cycling related bits, and expensive tastes.)
As far as the details of the biking go in Long Riders!, I don't have any important nits to pick. A few things made me raise my eyebrows a bit but they're not all that important and a bit of exaggeration for effect is a fine anime tradition. I certainly can't say that Ami grew too fast as a cyclist; although I didn't do any 160 km rides in my first season of cycling, I did do multiple 100+ km rides (on flat terrain, though; we don't have mountain passes around Toronto), and I was riding a much less suitable bike for it than Ami wound up using.
(This elaborates my tweets after episode 10. Also, I wrote a bit about Long Riders! when I talked about bike lights in recent anime. Long Riders! loves its bike lights, among other little details; everyone has good rear lights as well as front lights, often multiple rear lights.)
2016-12-28
A bit on the story structure of Sound! Euphonium 2 episode 12
(There are spoilers here.)
In commentary about Sound! Euphonium 2's episode 12, a number of people have noted that KyoAni took the unusual step (for the show) of not showing Kitauji High School's performance at the Nationals. Instead of seeing any of their performance, we cut straight from going on stage just before the commercial break to the after performance wind-down after the commercial break. Nick Creamer's episode writeup at ANN is typical, and he says:
And then it was over. Sound! Euphonium's final performance, the nationals performance that this whole season had been leading up to, took place entirely during the episode's commercial break. I had to laugh at that - after all of this work, after performance sequences as stunning as last season's conclusion and this season's halfway point, it felt like an intentional flaunting of expectations to actually cut this one out.
In my opinion there's a very good reason that KyoAni did not include the performance and it has nothing to do with flaunting our expectations and everything to do with story structure (and a bit to do with how stunning those past performances have been). You see, this time around Kitauji lost. And not because anyone screwed anything up, as far as we're told; everyone played their best, it's just that at the level of the Nationals, their best was only bronze level.
In the two previous performances that Sound! Euphonium showed, Kitauji won; they took gold and moved onward towards the Nationals. Portraying this in a show is theoretically simple, as all you need to do is show everyone playing well. We the audience will read into the combination of a dynamic, well-done performance that sounds good and Kitauji taking the gold the implication that Kitauji had the best performance, without the show actually having to show this explicitly by, saying showing another, not as good performance by another high school.
All of this goes out of the window when Kitauji's performance is only good enough for a bronze. How do you portray a performance that is good but only so good, especially when you've shown Kitauji playing very well before? If you just show Kitauji's performance (and at their previous level), the audience is unlikely to be convinced that they only deserved bronze. So to really sell this you would probably have to show at least parts from both Kitauji's performance and a clearly better performance (ideally one that only got silver). That is a tall order both simply for time in the episode and also for showing relative performance level, especially when Kitauji is supposed to be good to start with.
(The one time Sound! Euphonium did a compare and contrast performance it had the significant advantage that one of the people involved was clearly not all that great at her solo. Portraying 'good, without errors' and then 'clearly better' for orchestral music is likely to be hard, especially if you want it to be unmistakable to the audience.)
Given all this I'm unsurprised that KyoAni skipped completely over the actual performance. There just wasn't any good way to portray it, at least not without a lot of work and risk of audience (dis)belief in the outcome. Skipping it was almost forced by the structure of the story. As much as we might have liked to see it, it would have been hard for the show to not let us down if we actually got the performance.
(And this way the show could preserve tension that held through to the revelation of the results. If the show had convincingly told us that Kitauji's performance was below the level of other bands at the Nationals, we'd have known they weren't getting gold well before the results were announced.)
(This elaborates on some tweets of mine, because I felt compelled to make my logic explicit.)
PS: To be clear, I don't fault KyoAni for this decision or think that it weakens the episode. On the contrary, I think it's a clever solution for a real problem, one that has significant advantages and helps the overall story of the episode.