Roving Thoughts archives

Why I don't rate the Rebuild of Evangelion movies all that highly

Back in my best N in 2013 entry I mentioned that while I'd seen all three currently available Rebuild of Evangelion movies in 2013, none of them made my year-end list for reasons beyond the scope of that entry. Today I feel like elaborating on that passing remark.

Fundamentally the reason I don't find the movies really impressive is that I've already seen both Neon Genesis Evangelion (the TV series) and End of Evangelion. Having seen both, there is not much really new and impressive that the Rebuild movies bring to the table. There are two sides to this, one for the TV series and one for EoE.

While the production values of the first two movies are higher than the TV series, the TV series covers basically the same ground in more depth and as a result has more fully developed and interesting characters. This is really what you'd expect because the TV series simply has more time. The movie hits the high points and adds some twists but its limited time forces it to simplify many elements (often ones I quite like) and I don't think it really adds more than one or two new things to compensate for this (the 'seaside' scene was nice but about it). Rebuild's desire to retread most of the same ground confines it and lessens it.

As for the third movie, it's mostly incoherent and unexciting as a movie (although it has some spectacular action sequences). What it really is is yet another giant Anno gesture in the direction of the fans, and as mentioned I've already seen Anno's first version of that. End of Evangelion is in many ways the ultimate middle finger to fans and I saw it years ago. By now yet more gestures from Anno to the fans have lost their ability to shock and impress me; now my reaction is more 'what, again?' (with a side of 'haven't you got tired of this yet?').

(The other difference between You Can (Not) Redo and End of Evangelion is that EoE tells a coherent and powerful story that just happens to be brutally ugly and 3.0 doesn't really. EoE is successful as a movie, not just as a gesture to fans.)

So the short version is: the Rebuild movies look nice but they aren't doing anything particularly new and interesting and they aren't significantly great purely as movies. This still makes them decent movies that I didn't regret watching but they're not 'best N in 2013' material.

(The first two movies are probably close to the best that they could be under the circumstances, but I tend to think that almost any relatively faithful movie retelling of a good TV series is going to suffer because of having less time. The movies did have some stabs at departing from the straight and narrow of the TV series but I didn't find those compelling enough on their own merits.)

I do accept that Anno is trying to say things to and about the Evangelion fandom; see Bobduh for one analysis of this. I'm just not particularly compelled by Anno's commentary, at least wrapped up in this form. To put it unkindly, being meta does not automatically make you interesting.

Checking in on the Winter 2014 anime season midway through

It's time for the usual midway check in on my early impressions of this season. I don't think that this is a really strong season so far and it also feels kind of odd to me; despite watching a reasonable number of shows I've wound up somehow feeling that this season is a slow one (perhaps because many of the shows I'm watching are packed into the weekend with basically nothing coming out during the week). This is tempting me towards probably unwise ideas, like say trying to get into the frequently praised Hunter x Hunter.

(A less ambitious version would be giving Gundam Build Fighters a try.)

Things I'm still watching:

• Sekai Seifuku - Bouryaku no Zvezda: This is being generally fun and funny with periodic additions of pointed commentary and weirdness. As I hoped it's playing the absurdism straight but not seriously and managing to be surprisingly charming in the process.

• Witch Craft Works: This was a surprise midseason pickup after I read enough praise of it to push me over the edge. I have to tell you that what people say about it being entertaining is true; it doesn't aspire to being deep but it is both funny and clever. Part of the enjoyment for someone like me is watching it thoroughly invert the usual gender tropes of this genre in all sorts of ways.

  So far the Tower Witches are never not funny.

  (One of the reasons the show is genuinely funny is that it doesn't overplay its hand with jokes. There's no standing around extending the joke or repeating it to make sure you got it; the show brushes over the joke and moves on.)

• Noragami: The execution continues to be very well done and the twists of the story are reasonably surprising and interesting (Nora's story was not was I was expecting and is in some ways worse and sadder). Hiyori is the clear best character of the show and is really what makes it.

  (One sign of quality execution is that Hiyori has more than one out of school outfit. Sometimes she has more than one in a single episode.)

• Seitokai Yakuindomo season 2: It continues to reliably hit my funny bone and in fact makes me laugh on a regular basis.

  (I admit that I'm watching this somewhat slowly, as there's no plot anticipation or 'what will they do next' to make watching it feel urgent.)

Perpetually on the edge:

• Space Dandy: This show is more or less the humour equivalent of a decently well done action show. If it sounds like I'm making excuses for Space Dandy it's because I am. Overall I feel that the show is much better at the small stuff than assembling it into an interesting and compelling framework.

  (To be unkind, this is much more Kids on the Slope than Cowboy Bebop.)

• Robot Girls Z: It turns out they got a new joke or two for the second episode. It's probably amusing enough for me to finish it (so far I've seen one of the three sections of the second episode).

Dropped:

• Nobunagun: My gut is unenthused about this and I've learned the hard way that I should trust it. I think the problem is that I'm just not that interested in any of the characters or what's going on. That the show keeps doing crazy things can only carry it so far.

  (I'd say that the show's low animation budget is showing but to be honest it did right from the start. I was just willing to overlook its use of style to cover the lack of actual animation in the early days.)

In shows carried over from last season, both KILL la KILL and Log Horizon are still doing excellent work. Both have reached the point where stuff is really starting to happen and Log Horizon especially is coming through in all sorts of interesting ways. If I ranked them here they would both come before anything from this season, with KILL la KILL first.