Roving Thoughts archives

Archetypal tsunderes and the transience of (anime) fame

Scamp of The Cart Driver somewhat recently wrote Anime Archetypes: The Superior Appeal of the Tsundere for MAL (via), in which he said:

There are some debates over who the original tsundere is. I've seen it argued that Lum from Urusei Yatsura was, but she's very open about her affection so I don't think it counts. However there's no doubt which character became the popular face for the term with anime fans. That would be the hot-headed robot pilot, Asuka Langley from Neon Genesis Evangelion.

While I don't doubt Asuka's current status as the popular and archetypal 'first tsundere' in anime fandom today, I find this status interesting. Particularly, it leads me to reflect on the transient nature of something being a famous or well-known anime. Because, you see, Asuka is not the first famous tsundere that Western fans were exposed to, not even the first one in a big series. Who I'm thinking of here is Akane, from Ranma 1/2.

Akane's a clear and undeniable fit for the classical tsundere; she's hotheaded and quick to mete out some violence to the object of her affections (that would be Ranma), periodically soft and affectionate, and of course neither she nor Ranma are at all willing to admit their love for each other. Ranma 1/2 itself predates NGE by several years and back in the 90s it had a massive presence in anime fandom. Despite all of that, today Ranma 1/2 and memories of Akane have faded from fandom, including her archetypal tsundere nature (to the point where Scamp didn't even bother to mention her). Instead she's apparently been displaced by Asuka, who may not even be a tsundere as such, as well as later characters that she seems pretty clearly a template for, such as Love Hina's Naru Narusegawa.

(You can argue a lot about if Asuka actually ever likes Shinji. As for Naru, Scamp's description of her behavior in his article applies just as much to Akane.)

I can speculate about various reasons why Asuka has stuck in people's memories and Akane hasn't, but it's more interesting for me to just note that it's happened. An entire influential series and its characters, one that inspired or at least touched a whole generation of fans, has just disappeared from the modern landscape of fandom. If you'd told someone in the mid-90s that Ranma 1/2 would be barely remembered or mentioned in fandom in twenty years, I'm not sure they'd have believed you. Yet here we are.

(In the early and mid 90s, even if you didn't particularly like Ranma 1/2 you could hardly avoid hearing about it if you were part of anime fandom. People cosplayed, people talked about it, people wrote a huge number of fanfics (some of them well known and relatively influential), and so on. You could say that it was kind of the Naruto of its day.)

Sidebar: Some views on why this happened

I suspect that a fair part of it is a combination of fandom turnover (and growth) and the relative views of both shows. I wouldn't be surprised if most old fans from the 90s who've been exposed to Ranma 1/2 and Akane have left (modern) anime fandom, and certainly fandom has grown a lot since then. At the same time, new fans are much more likely to be told they really should watch Neon Genesis Evangelion (which is considered a classic for good reason) than that they should explore Ranma 1/2 (which is, uh, not as good as NGE and is much bigger and more sprawling), so they're much more likely to either see or hear about Asuka than Akane.

(Leaving fandom is not the same thing as not watching anime any more, and for that matter fandom has fragmented. I know of at least one cluster of relative oldbies that barely crosses over into the modern anitwitter or MAL or ANN based fandom. Scamp was of course writing his article for the MAL fandom audience, since that's where it was published; your mileage may vary elsewhere.)

Brief early impressions of the Fall 2015 anime season so far

As before it's time for another set of my early impressions, this time supplementing my first episode takes after I've watched some more of the shows I'm actually following.

Clear winners:

• Subete ga F ni Naru - The Perfect Insider: This is still not really showing its cards, but on the other hand I love how the characters interact. It's a grown up show with flawed characters who are too smart and too smug for their own good.

• Concrete Revolutio: It's now clear that the show's big theme is the moral ambiguity of super-powers (and how attempts to see the situation as black and white are a terrible mistake). On the one hand, this is nothing new to readers of American superhero comics over the past couple of decades (from roughly Watchmen onward); on the other hand, Concrete Revolutio is a good show and I'm enjoying it even if I don't expect it to have anything much new to say. I really like that the show is aggressively not spelling things out and letting us draw our own conclusions; it favorably reminds me of UN-GO.

  (The creators have apparently explicitly said that they were inspired in part by Watchmen.)

• One-Punch Man: Anime comedies that I find genuinely funny are rare, so I treasure them when one shows up. One of the things that makes OPM work for me is that the show generally doesn't overplay its jokes by having the characters actually react to them.

I'm enjoying:

• K - Return of Kings: In the end I quite liked the first series. It's great to see all of our old friends back and the changes are nice, but at the same time I wish the show was moving faster and being crazier the way the first season was.

• Utawarerumono - Itsuwari no Kamen: I haven't watched the original series (my notes say I dropped it after 3 episodes), but fortunately you don't have to in order to enjoy this new one. While it took a few episodes to get me genuinely enthused about this, I'm now rather enjoying how the characters rub against each other. Kuon and Haku are an especially nice combination.

• Gakusen Toshi Asterisk: At one level this is a standard LN show of the 'people fighting in high school' sub-genre and there's nothing particularly new or novel. What I'm enjoying is the execution, which I find refreshingly competent and well done. It has energy and a refreshing lack of annoying or outright offensive (to me) cliches.

• Owarimonogatari: At this point I'm too invested in following the Monogatari series to have a really objective opinion on this; the odds that I wouldn't watch this despite grumbling about it were always close to nil. In general it's enjoyable as usual, and it's nice to see Araragi repeatedly shoved off balance. But boy I wish it'd move faster; as things stand it feels like the show is deliberately filling time with rambling dialog.

  (Honestly, Perfect Insider is basically doing the Monogatari dialog thing much better than Owarimonogatari itself.)

They're okay so far:

• Mobile Suit Gundam - Iron-Blooded Orphans: This is a Gundam show so I'm kind of predisposed to not be deeply enthused. With that said, it's a pretty good example of its genre and it may yet get me fired up with solid enthusiasm. I'm certainly enjoying it more than I expected so far and I rather like a number of the things it's doing, even if I know that most of the cast is probably doomed and it sometimes does characterization with a large paint roller.

• Heavy Object: This is another typical LN show, this time of the 'how will the protagonists manage to pull this one off' fighting genre. It's not great and it's definitely quite LN, but I've been enjoying it in a casual popcorn way. I'll probably drop this after a while.

  (If you're going to watch Heavy Object, you absolutely can't think very much about the logic of what you're seeing. HO is full of things that happen because this is a LN, not because they actually make any sense.)

Misses:

• Noragami Aragoto: In retrospect the only Noragami character I really care about is Hiyori, whose fundamental role is to be a bystander. Yato is an irritating putz most of the time (his alleged charm points mostly aren't), Yukine's continued suffering and angst leaves me unmoved, and the show's never given me a reason to care about Bishamon. Once I realized all of this I decided that show wasn't compelling enough for me to bother continuing this season, not when there was already a fair amount of stuff that I liked a lot more.

  (Yes, this walks back my opinion from the end of the first season.)

• Sakurako-san no Ashimoto ni wa Shitai ga Umatteiru aka Beautiful Bones: This was not bad as such, it was just uninteresting. I've already read a lot of mystery stories, most of them much more interesting than this show, and there's plenty more out there if I feel like I want more in the genre, plus I'm pretty sure that there's better mystery anime out there that I haven't watched yet.

• Comet Lucifer: Another show that turned out to be uninteresting. I gave it two episodes and it gave me no particularly compelling reason to watch anything more.

• Garo - The Crimson Moon: The first episode of this had basically none of the things that made the first Garo interesting and unusual, and a certain amount that made me sigh (like the 'funny' kid sidekick).

• Rakudai Kishi no Cavalry: As many people have said, this is basically the same show as Asterisk in many ways. But at least for me this is generic and not particularly good in a way that Asterisk isn't. I kept watching it to have an informed opinion in the debate between partisans of the two shows, but then I flamed out at episode 3, which I found unwatchable.

  (I very rarely abandon episodes partway through watching them. This was an exception.)

One of the big debates this season is between Asterisk and Rakudai; in many ways the two are almost the same show but many people have strong preferences. As you can tell I come down on the side of Asterisk. To condense my views, I think that Rakudai is doing some potentially interesting things with Stella and Ikki but it's otherwise loaded with terrible tropes and bad or merely clunky execution (like clumsy and eye-rolling writing). Asterisk isn't as potentially exciting but its execution is far better and more interesting (and far less cringe-inducing), and I don't trust Rakudai to deliver on its potential anyways.

(And Asterisk has its own vaguely novel bits.)

The really short way to summarize this is that in theory Rakudai has more potential but in practice Asterisk has much better execution.

Not for me:

• Osomatsu-san: This combines a bunch of genres that almost never work for me, as it's both a comedy and an ordinary life setting. As a result I've opted to skip checking it out, even though it gets a fair bit of praise.

Not even considered for various reasons:

• Young Black Jack

• Anti-Magic Academy: The 35th Test Platoon: It's yet another LN show like Asterisk and Rakudai, but apparently even worse than Rakudai. Nope.

• Lance 'n Masques: Apparently epically bad. Someone I follow on Twitter is watching this and tweeting the terrible art and shots, of which there are many.

The one show I haven't seen and would like to is the new Lupin, which appears to be basically unavailable over here. I've seen the opening, which is pretty cool.

This makes three shows I'm quite happy with so far and several other shows that I expect to watch all the way through, plus stuff that I'm enjoying so far but don't necessarily expect to have staying power. By my current metric of 'do I have enough things that I actually have to think about my APR ballot', this is a reasonably good season and it may become an excellent one. Heck, Iron-Blooded Orphans could surprise me and earn a place alongside my favorite Gundam works.

(Right now, how excellent the season turns out to be depends on how well Perfect Insider and Concrete Revolutio hold up. Both are very early so far so they could both fumble things, or they could really come through.)